读简爱有感十篇

时间:2023-03-14 09:23:10

读简爱有感篇1

在文学史上,有许多的经典名着将要永不垂朽,但像《简爱》这样深深的进入人们的灵魂,以一种不可抗拒的美感吸引了成千上万的读者,影响着人们的精神世界,甚至对某些人来讲,影响了他们一生的作品并不多。

19世纪英国文坛“勃朗特三姐妹”之一的夏洛蒂·勃朗特的小说《简·爱》,以19世纪早期英国偏远乡村为背景,用女主人公简·爱的视角以自叙方式讲述了一个受尽摧毁、凌辱的孤儿,如何在犹如儿童的人间地狱的孤儿院顽强地生存下去,成为一个独立、坚强、自尊、自信的女性的成长故事。

简·爱是个孤儿,从小寄养在舅母家中,受尽百般欺凌。后来进了慈善学校洛伍德孤儿院,灵魂和肉体都经受了苦痛的折磨。也许正是这样才换回了简·爱无限的信心和坚强不屈的精神,她以顽强的意志以成绩优秀完成了学业。为了追求独立生活,她受聘在桑菲尔德庄园任家庭教师。故事的重点是身份低下的家庭教师简·爱与男主人罗切斯特之间历经磨难的爱情。这段爱情因男女主人公悬殊的社会地位和个性的差异而充满了激烈碰撞,也因两人志趣相同、真诚相爱而迸发出灿烂的火花。作者以鲜明独特的女性视角和叙事风格娓娓道来,真实而有艺术感染力。特别是简·爱的独特个性、思想和强烈的自尊心,在打动身为贵族的男主人公的同时,也紧紧抓住了我们读者的心。

读《简爱》最深的感受是,这是一部充满人性化的作品,写的是一位饱经沧桑的女性在生活中获取的经验和心境,它在传达现实生活的追求和向往上体现了对困厄和孤独的抗挣,表现出那时英国女性对现实生活的迷茫,孤独和恐惧,蕴涵着穿行于冰冷物质空间人们对真情与温情的渴望,显示出别样的精神价值。19世纪的英国同样是一个金钱至上的社会,故事情节的开始就展现出简凄惨,可怜的身世,没有父母,唯一疼爱自己的舅舅也离她而去。天生叛逆的她在本是快乐的童年生活中充满了反抗,在残酷的现实生活中,她幼小的心在渴望温暖和真情,寻找本属于自己的一点一滴。

读简爱有感篇2

今年暑假,我读了一本叫《简·爱》的书。书的作者是英国的夏洛蒂·勃朗特。这本书的主人公的名字就叫简·爱。她一生经历了无数苦难,尤其是她的童年。

简·爱的童年很不幸。她从小父母双亡,寄人篱下。舅舅死后,舅妈嫌弃,表姐傲慢冷漠,表兄更是凶暴专横,这样一个充满暴力的环境使她经历了同龄人没有的遭遇。表兄经常打她,骂她。有时,她甚至被打得头破血流。而她的表姐也不帮她,不仅袖手旁观,甚至还诽谤她。舅妈对她更别提了,不许她接近别人,不许她玩儿,有时不分青红皂白就把她关进黑屋子里。在舅妈家,人人都认为她是坏孩子,是说谎者。她唯一的伙伴是书,尽管如此,每次看书,她都只能趁别人不注意,躲在窗帘下看。终于,简·爱离开了让她饱受欺辱的地方,来到洛伍德上学,结果,舅妈告诉校长,说简·爱是个说谎者。于是,校长让学生们不和她说话、玩耍。但海伦·彭斯的友谊和谭波儿小姐的关心使简·爱不再孤独。洛伍德的生活是艰苦的,是危险的。孩子们终日半饥半饱,一场斑疹伤寒的时疫夺走了许多孩子的生命,包括海伦……简·爱幸运地躲过了时疫。后来,她又在洛伍德呆了几年,直至成年。在这几年里,简·爱并没有向困难屈服,她喜爱所学的课程,一心想在各个方面出人头地,她努力奋进,博得了师生们的喜爱。在她升到第一班第一名时,她被授予了教师职务。

读到这儿再想想我们现在的孩子。如果我们拿自己的童年和简·爱比一下,就会发现:我们的童年是无比快乐的。玩儿的,用的,无一不是好的,对于穿着,我们追求的是品牌、时尚。父母对我们的种种要求一再满足。但我们却身在福中不知福,总觉得父母不体谅我们,对我们的限制太多了。

读了《简·爱》,今后我在对待生活,对待环境,待人处事和对待感情方面会引为自鉴。在这个什么都和金钱相关,人情比纸薄的年代里。《简·爱》的故事的确让人感到一丝温馨和慰籍。这本书让我领略到简的那种自尊、自强、自立、平和宽容和充满怜悯爱心的精神世界。简·爱在面对她的一切不幸时,没有绝望,没有自我摧毁,更没有在侮辱中沉沦。从她身上,我学到了坚强不屈的精神和一种可战胜的人格力量。

六年级:盈莹

读简爱有感篇3

这部小说的作者是夏洛蒂·勃朗特。主要内容是简爱自幼父母双亡,在饱尝寄人篱下之苦后,简·爱毅然离家求学。学校的生活,使她领略了被辱和被爱的人间冷暖。离开学校后,她来到了桑菲尔得当家庭教师,在她以为幸福真正来临时,却又为一个疯女而远走他乡。他不知情的遇到了自己的表哥、表姐,成功的分到了叔叔的五钱块遗产。最后他跟桑菲尔德的主人罗切斯特先生,幸福的生活在一起。

《简·爱》这本小说阐释了这样一个主题:人的价值=尊严+爱。《简·爱》中的简爱人生追求有两个基本旋律:富有激情、幻想、反抗和坚持不懈的精神;对人间自由幸福的渴望和对更高精神境界的追求。这本小说的主题是通过对孤女坎坷不平的人生经历,成功地塑造了一个不安于现状、不甘受辱、敢于抗争的女性形象,反映一个平凡心灵的坦诚倾诉的呼号和责难,一个小写的人成为一个大写的人的渴望。

这本小说告诉我们,人的最美好的生活是人的尊严加爱,小说的结局给女主人公安排的就是这样一种生活。虽然我们觉得这样的结局过于完美,甚至这种圆满本身标志着肤浅,但是我依然尊重作者对这种美好生活的理想--就是尊严加爱,毕竟在当今社会,要将人的价值=尊严+爱这道公式付之实现常常离不开金钱的帮助。人们都疯狂到似乎为了金钱和地位而埋没爱情。在穷与富之间选择富,在爱与不爱之间选择不爱。很少有人会像简这样为爱情为人格抛弃所有,而且义无反顾。《简·爱》所展现给我们的正是一种化繁为简,是一种返璞归真,是一种追求全心付出的感觉,是一种不计得失的简化的感情,它犹如一杯冰水,净化每一个读者的心灵,被认为是人生追求的二重奏。

五年级:余文婧

读简爱有感篇4

花了一周多的时间终于读完了《简爱》,我知道这是一个艰巨的过程。这几日,我把时间耗费在这本来自遥远国度的小说里。然而我还得在抱怨的同时,不得不承认它的杰出与迷人。很少见到这样迷人的异国风情。这充满着英国十九世纪趣味的故事里,让我感慨了很多。其实我应该早些接触这本书,早就有很多的人介绍它了。可惜,我拥有着一点排外的情愫,一直拖到现在去欣赏它,实在有些相见恨晚。

作为一个中国人,我对英国人的思维和有点难以适应。不过呢,人世间的真情多数是相通的。每当我读到小简爱因为无亲无故而遭受虐待和歧视时,心中顿起的怜悯之情真让人难忘;每当简爱一次次化险为夷让我多么兴奋;当她勇敢地拒绝了圣约翰的求婚而坚持自己心中的真爱时,多么令鼓舞和震撼;特别在文章最后,她抛弃一切去照顾那位可怜的爱德华时,我的心中欣慰与感动迸发而出。

关于这本小说,我想它最大的成功之处就是它在很多艺术方面的杰出融合。我敢确信这本书的作者是一位多才多艺的作家。首先,她在描绘风景时,是以一个画家的审美角度去鉴赏,以一个画家情趣去把握光和影的和谐。读中国的小说很少见到这样细腻的风景描写的词汇。应该要感谢这本书的译者周令本的深厚的国文功底,使译本文采熠熠,令原著生辉。其次,夏落蒂.波郎特在语言学上的造诣也很深厚,作为一名英国人,作者可以说至少精通三种以上的外国语言。在读这本书的时候,我感觉自己可以通过它感受到整个欧洲的文化氛围。比方说英国人的自豪感和绅士风味,德国的大国气氛以及法国女性的天生浪漫情趣。甚至还读出了英国人那种殖民主义的歧视东方人的心理,比如他们称印度是个野蛮的民族。再次,夏落蒂.波郎特对感情戏的处理上,可以称得上很高明。她的主人公很少是一见钟情,这比较现实,但是她赋予的爱情总是在默无声息深入到读者的心田里。如此巧妙的感情戏,让我很意外,很惊喜。

《简爱》的作者如果和中国的曹雪芹相比,毫无疑问,后者的文化底蕴要更博深一些。就像中国和英国人拼比历史,中国人可以无愧地说:我比你老的多。曹雪芹一生所学要比夏落蒂.波郎特要广博的多,毕竟中国的文化底蕴要丰盛的多。中肯的说,简爱的确比不上中国的《红楼梦》。不管是人物丰富还是物致的描绘上,《红楼梦》都是更为杰出的。但是,《简爱》中也有值得中国人去学习和欣赏的地方。比方说,《简爱》对人物的心理描写方面,可以说淋漓尽致。这点在很多中国人的文学作品中做的都不够.

读这本书我仿佛读了一遍《圣经》,西方人对宗教笃深的感情与真诚的信仰,真很令人敬佩。现在的中国是一个缺乏信仰的时代。在读《简爱》时候,让我感受到在拥有宗教哺育下才可以得到的人情的纯美,在现在的中国这真的很难得。其实,很多圣经里的教诲与中国的孔儒的经典思想是相通互补,而现在国人却往往忽视了祖先的睿智。比如圣经里劝人从善,劝人宽忍,劝人感恩,与孔老夫子劝国人礼义仁,两者是相同的。在读《简爱》的时候,我时常被圣经里的美好的思想启迪着,让我联想到中国的现状,心中似乎收获许多。让我坚信,对于中国的儒家文化真的需要重新审视。

读简爱有感篇5

简.爱是一个小女孩的名字。她的生活与我们这些孩子的生活简直就是天壤之别。因为父母双亡,她只好住在舅舅家。可是不过多久,爱她的舅舅逝世了,她成了一个多余的人。狠毒的舅妈不但让她不停地做家务,还让简.爱去服侍她的那个被宠坏的表哥,因此,她常常受到虐待。后来,她的舅妈甚至是把她送到了女子学院,抛弃了简.爱这个“包袱”。但是简.爱很坚强,她靠自己的才华找到了一份很好的工作。她教得十分出色,得到了别人的赞赏,但是,令人意想不到的事情发生了……

“我快要疯了!怎么会这样,怎么会这样?”这是简.爱在文中所说的一句话。你听了后也许会不明白,简.爱她到底怎么了?让我来告诉你吧,简.爱的爱人在与她进行婚礼的时候,被别人揭发他原来有一个疯妻子!读到这里,我的心中泛起了一股同情心,简.爱是多么不幸!简.爱,我同情你!我迫不及待地往下看:“但是,简.爱她却忍受住了,她来到另外一个城市,与命运之神继续搏斗着……”

她的叔叔去世了,她继承了叔叔的一大笔财产!啊,这就是苦尽甘来了!她回到了她的爱人身边,照顾他,与他幸福地生活着……

读简爱有感篇6

有关简爱读后感英语版【1】

I first read "Jane Eyre" in eighth grade and have read it every few years since.

It is one of my favorite novels, and so much more than a gothic romance to me, although that's how I probably would have defined it at age 13.

I have always been struck, haunted in a way, by the characters - Jane and Mr.

Rochester.

They take on new depth every time I meet them...and their's is a love story for the ages.

Charlotte Bronte's first published novel, and her most noted work, is a semi-autobiographical coming-of-age story.

Jane is plain, poor, alone and unprotected, but due to her fierce independence and strong will she grows and is able to defy society's expectations of her.

This is definitely feminist literature, published in 1847, way before the beginning of any feminist movement.

Perhaps this is one of the reasons why the novel has had such a wide following since it first came on the market.

It is also one of the first gothic romances published and defines the genre.

Jane Eyre, who is our narrator, was born into a poor family.

Her parents died when she was a small child and the little girl was sent to live with her Uncle and Aunt Reed at Gateshead.

Jane's Uncle truly cared for her and showed his affection openly, but Mrs.

Reed seemed to hate the orphan, and neglected her while she pampered and spoiled her own children.

This unfair treatment emphasized Jane's status as an unwanted outsider.

She was often punished harshly.

On one occasion her nasty cousin Jack picked a fight with her.

Jane tried to defend herself and was locked in the terrifying "Red Room" as a result.

Jane's Uncle Reed had died in this room a little while before, and Mrs.

Reed knew how frightened she was of the chamber.

Since Jane is the narrator, the reader is given a first-hand impression of the child's feelings, her heightened emotional state at being imprisoned.

Indeed, she seems almost like an hysterical child, filled with terror and rage.

She repeatedly calls her condition in life "unjust" and is filled with bitterness.

Looking into the mirror Jane sees a distorted image of herself.

She views her reflection and sees a "strange little figure," or "tiny phantom." Jane has not learned yet to subordinate her passions to her reason.

Her passions still erupt unchecked.

Her isolation in the Red Room is a presentiment of her later isolation from almost every society and community.

This powerful, beautifully written scene never fails to move me.

Mrs.

Reed decided to send Jane away to the Lowood School, a poor institution run by Mr.

Brocklehurst, who believed that suffering made grand people.

All the children there were neglected, except to receive harsh punishment when any mistake was made.

At Lowood, Jane met Helen Burns, a young woman a little older than Jane, who guided her with vision, light and love for the rest of her life.

Jane's need for love was so great.

It really becomes obvious in this first friendship.

Helen later died from fever, in Jane's arms.

Her illness and death could have been avoided if more attention had been paid to the youths.

Jane stayed at Lowood for ten years, eight as a student and two as a teacher.

Tired and depressed by her surroundings, Jane applied for the position of governess and found employment at Thornfield.

The mansion is owned by a gentleman named Edward Fairfax Rochester.

Her job there was to teach his ward, an adorable little French girl, Adele.

Over a long period the moody, inscrutable Rochester confides in Jane and she in him.

The two form an unlikely friendship and eventually fall in love.

Again, Jane's need for love comes to the fore, as does her passionate nature.

She blooms.

A dark, gothic figure, Rochester also has a heart filled with the hope of true love and future happiness with Jane.

Ironically, he has brought all his misery, past and future, on himself.

All is not as it seems at Thornfield.

There is a strange, ominous woman servant, Grace Poole, who lives and works in an attic room.

She keeps to herself and is rarely seen.

From the first, however, Jane has sensed bizarre happenings at night, when everyone is asleep .There are wild cries along with violent attempts on Rochester's life by a seemingly unknown person.

Jane wonders why no one investigates Mrs.

Poole.

Then a strange man visits Thornfield and mysteriously disappears with Mr.

Rochester.

Late that night Jane is asked to sit with the man while the lord of the house seeks a doctor's help.

The man has been seriously wounded and is weak from loss of blood.

He leaves by coach, in a sorry state, first thing in the morning.

Jane's questions are not answered directly.

This visit will have dire consequences on all involved.

An explosive secret revealed will destroy all the joyful plans that Jane and Rochester have made.

Jane, once more will face poverty and isolation.

Charlotte Bronte's heroine Jane Eyre, may not have been graced with beauty or money, but she had a spirit of fire and was filled with integrity and a sense of independence - character traits that never waned in spite of all the oppression she encountered in life.

Ms.

Bronte brings to the fore in "Jane Eyre" such issues as: the relations between men and women in the mid-19 century, women's equality, the treatment of children and of women, religious faith and hypocrisy (and the difference between the two), the realization of selfhood, and the nature of love and passion.

This is a powerhouse of a novel filled with romance, mystery and passions.

It is at once startlingly fresh and a portrait of the times.

Ms.

Bronte will make your heart beat faster, your pulse race and your eyes fill with tears.

有关简爱读后感英语版【2】

Oliver Twist, one of the most famous works of Charles Dickens’, is a novel reflecting the tragic fact of the life in Britain in 18th century.

The author who himself was born in a poor family wrote this novel in his twenties with a view to reveal the ugly masks of those cruel criminals and to expose the horror and violence hidden underneath the narrow and dirty streets in London.

The hero of this novel was Oliver Twist, an orphan, who was thrown into a world full of poverty and crime.

He suffered enormous pain, such as hunger, thirst, beating and abuse.

While reading the tragic experiences of the little Oliver, I was shocked by his sufferings.

I felt for the poor boy, but at the same time I detested the evil Fagin and the brutal Bill.

To my relief, as was written in all the best stories, the goodness eventually conquered devil and Oliver lived a happy life in the end.

One of the plots that attracted me most is that after the theft, little Oliver was allowed to recover in the kind care of Mrs.

Maylie and Rose and began a new life.

He went for walks with them, or Rose read to him, and he worked hard at his lessons.

He felt as if he had left behind forever the world of crime and hardship and poverty.

How can such a little boy who had already suffered oppressive affliction remain pure in body and mind? The reason is the nature of goodness.

I think it is the most important information implied in the novel by Dickens-he believed that goodness could conquer every difficulty.

Although I don’t think goodness is omnipotent, yet I do believe that those who are kind-hearted live more happily than those who are evil-minded.

For me, the nature of goodness is one of the most necessary character for a person.

Goodness is to humans what water is to fish.

He who is without goodness is an utterly worthless person.

On the contrary, as the famous saying goes, ‘The fragrance always stays in the hand that gives the rose’, he who is with goodness undoubtedly is a happy and useful person.

People receiving his help are grateful to him and he also gets gratified from what he has done, and thus he can do good to both the people he has helped and himself.

To my disappointment, nowadays some people seem to doubt the existence of the goodness in humanity.

They look down on people’s honesty and kindness, thinking it foolish of people to be warm-hearted.

As a result, they show no sympathy to those who are in trouble and seldom offer to help others.

On the other hand, they attach importance to money and benefit.

In their opinion, money is the only real object while emotions and morality are nihility.

If they cannot get profit from showing their ‘kindness’, they draw back when others are faced with trouble and even hit a man when he is down.

They are one of the sorts that I really detest.

Francis Bacon said in his essay, ‘Goodness, of all virtues and dignities of the mind, is the greatest, being the character of the Deity, and without it, man is a busy, mischievous, wretched thing, no better than a kind of vermin.’

读简爱有感篇7

《简爱》这本小说,主要通过简爱与罗切斯特之间一波三折的爱情故事,塑造了一个出生低微,生活道路曲折,却始终坚持维护独立人格,追求个性自由,主张人生平等,不向人生低头的坚强女性。

简爱生存在一个父母双亡,寄人篱下的环境。从小就承受着与同龄人不一样的待遇:姨妈的嫌弃,表姐的蔑视,表哥的侮辱和毒打……然而,她并没有觉望,她并没有自我摧毁,并没有在侮辱中沉论。所带来的种种不幸的一切,相反,换回的却是简爱的坚强的无限信心,却简爱的坚强不屈的精神,一种可战胜的内在人格力量.

比幸,在学习生活,简爱仍然是承受着肉体大会的受罚和心灵上的摧残.学校的施主罗可赫斯特不但当着全校师生诋毁她,而且把她置于耻辱台上示众.使她在全校师生面前丢尽了脸.但简爱仍坚强不屈,化悲愤为力量,不但在学习上飞速进步,而且也取得了师生们的理解.不久,简爱又陷入了爱情的旋涡.个性及强的她同样保持着个人高贵的尊严,在情敌面前显得大家闺秀,毫不孙色.对于英格拉姆小姐的咄咄逼人,她从容面对。

读简爱有感篇8

文中的主人公简爱的父母因为风寒双双离开了人世。之后简爱就一直跟着狠毒的舅妈,还有一个可恶的表哥约翰*里德经常打简,每次都会把她打得遍体鳞伤。

想想我自己,爸爸妈妈把我视为掌上明珠,生怕我受一点上有一点碰撞。

后来可恨的舅妈把简爱送到了一所慈善学校。里面的伙食非常差,量也非常少,衣服很单薄。

从小到大我没有一次饿过肚子,没有一次衣服不好都是名牌。和简爱相比我真的很幸福。

简爱毕业了,但又在劳渥德做了两年教师,但她觉得一直这样很空虚,她渴望自由自在、无忧无虑的生活,。所以简爱另外找了一份工作——家庭教师。认识了罗切斯特,也就是她当家庭教师桑菲尔德家的主人。

两人相爱了,可是当简爱即将成为罗切斯特的新娘时,才知道罗切斯特已经结婚了,而且妻子是个女疯子。简爱沉受不住打击走了……

最后简爱和罗切斯特最终还是在一起了。

看完了这本书后。简爱对自由生活的向往令人尊敬,她自尊自爱,虽然才貌并不出众,但她的心地是善良的是最洁白的。当然上帝并没有辜负简爱。它让简爱拥有了美好的爱情。有了一个意外的财富。

读简爱有感篇9

初二3 纪文灵

莎士比亚曾说过:“书籍是全世界的营养品。生活里没有书籍,就好像没有阳光;智里里没有书籍,就好像鸟儿没有翅膀。”而《简·爱》就像我的一个忠实的朋友,一个良好的老师,一个可爱的伙伴。

这本书写的是简·爱生存在一个寄人篱下的环境,从小就承受着与同龄人不一样的待遇,姨妈的嫌弃,表姐的蔑视,表哥的侮辱和毒打……这是对一个孩子的尊严的无情践踏。罗切斯特,换回了简·爱无限的信心和坚强不屈的性格,一种可战胜的内在人格力量。她坚定不移地去追求一种光明的,圣洁的,美好的生活。在罗切斯特的面前,她从不因为自己是一个地位低贱的家庭教师而感到自卑,反而认为他们是平等的。也正因为她的正直,高尚,纯洁,心灵没有受到世俗社会的污染,使得罗切斯特为之震撼,并把她看作了一个可以和自己在精神上平等交谈的人,并且深深爱上了她。而当他们结婚的那一天,简.爱知道了罗切斯特已有妻子时,她觉得自己必须要离开。简·爱离开后罗切斯特的庄园毁了,他自己也成了一个残疾人,但我们看到,正是这样一个条件,使简爱不再在尊严与爱之间矛盾,而同时获得满足——她在和罗切斯特结婚的时候是有尊严的。是有爱的。

简·爱说过这样的一段话,给我的印象很深,也很能体现她的性格。她说:“如果大家老是对残酷,不公道的人百依百顺,那么那些坏家伙就更要任性胡来了,他们会什么也不惧怕,这样也就永远也不会改好,反而越来越坏,当我们无缘无故挨了打,我们一定要狠狠地回击。”我很赞同简·爱的这种说法,因为自尊,自重是做人的最起码的要求。

简·爱已作为独立女性的经典,我希望阳光下,鲜花里有更多的简爱走出来,不管是贫穷,还是富有;不管是美貌,还是相貌平庸,只有有美好的心灵和充实的心胸,就能以独立的人格、坚强的个性快乐地生活。

读简爱有感篇10

《简爱》这本小说,主要通过简爱与罗切斯特之间一波三折的爱情故事,塑造了一个出生低微,生活道路曲折,却始终坚持维护独立人格,追求个性自由,主张人生平等,不向人生低头的坚强女性。

简爱生存在一个父母双亡,寄人篱下的环境。从小就承受着与同龄人不一样的待遇:姨妈的嫌弃,表姐的蔑视,表哥的侮辱和毒打……然而,她并没有觉望,她并没有自我摧毁,并没有在侮辱中沉论。所带来的种种不幸的一切,相反,换回的却是简爱的坚强的无限信心,却简爱的坚强不屈的精神,一种可战胜的内在人格力量.

比幸,在学习生活,简爱仍然是承受着肉体大会的受罚和心灵上的摧残.学校的施主罗可赫斯特不但当着全校师生诋毁她,而且把她置于耻辱台上示众.使她在全校师生面前丢尽了脸.但简爱仍坚强不屈,化悲愤为力量,不但在学习上飞速进步,而且也取得了师生们的理解.不久,简爱又陷入了爱情的旋涡.个性及强的她同样保持着个人高贵的尊严,在情敌面前显得大家闺秀,毫不孙色.对于英格拉姆小姐的咄咄逼人,她从容面对。